“Just one more thing…”

Farewell, Peter Falk! I should screen The Princess Bride tonight…

Peter Falk

September 16, 1927 – June 23, 2011

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The Revolution Will Not Be Televised

You will not be able to stay home, brother.
You will not be able to plug in, turn on and cop out.
You will not be able to lose yourself on skag and skip,
Skip out for beer during commercials,
Because the revolution will not be televised.

The revolution will not be televised.
The revolution will not be brought to you by Xerox
In 4 parts without commercial interruptions.
The revolution will not show you pictures of Nixon
blowing a bugle and leading a charge by John
Mitchell, General Abrams and Spiro Agnew to eat
hog maws confiscated from a Harlem sanctuary.
The revolution will not be televised.

The revolution will not be brought to you by the
Schaefer Award Theatre and will not star Natalie
Woods and Steve McQueen or Bullwinkle and Julia.
The revolution will not give your mouth sex appeal.
The revolution will not get rid of the nubs.
The revolution will not make you look five pounds
thinner, because the revolution will not be televised, Brother.

There will be no pictures of you and Willie May
pushing that shopping cart down the block on the dead run,
or trying to slide that color television into a stolen ambulance.
NBC will not be able predict the winner at 8:32
or report from 29 districts.
The revolution will not be televised.

There will be no pictures of pigs shooting down
brothers in the instant replay.
There will be no pictures of pigs shooting down
brothers in the instant replay.
There will be no pictures of Whitney Young being
run out of Harlem on a rail with a brand new process.
There will be no slow motion or still life of Roy
Wilkens strolling through Watts in a Red, Black and
Green liberation jumpsuit that he had been saving
For just the proper occasion.

Green Acres, The Beverly Hillbillies, and Hooterville
Junction will no longer be so damned relevant, and
women will not care if Dick finally gets down with
Jane on Search for Tomorrow because Black people
will be in the street looking for a brighter day.
The revolution will not be televised.

There will be no highlights on the eleven o’clock
news and no pictures of hairy armed women
liberationists and Jackie Onassis blowing her nose.
The theme song will not be written by Jim Webb,
Francis Scott Key, nor sung by Glen Campbell, Tom
Jones, Johnny Cash, Englebert Humperdink, or the Rare Earth.
The revolution will not be televised.

The revolution will not be right back after a message
bbout a white tornado, white lightning, or white people.
You will not have to worry about a dove in your
bedroom, a tiger in your tank, or the giant in your toilet bowl.
The revolution will not go better with Coke.
The revolution will not fight the germs that may cause bad breath.
The revolution will put you in the driver’s seat.

The revolution will not be televised, will not be televised,
will not be televised, will not be televised.
The revolution will be no re-run brothers;
The revolution will be live.

—GSH

Bigger than Birdseed

A day, a measured unit. A twirl of the world.
It had its bells and whistles, its come/go/ebb/flow.
I threw Friday words at
you like birdseed…in my ATM way…
and moved through you, running the bases of my
lists, hours before the violence that
silenced your orbit.

I saw your body.
It didn’t care anymore
about the goodbye
I would have wanted.
It didn’t want an
apology
anymore
for my failed
promise, made at Lammas, to
always keep you
safe.
It lay relaxed, honest drapery,
exposed meat and entrails…
TV cops would have dubbed it
an undisturbed crime scene.
Undisturbed.
And I stand/sit/stare/stammer,
looking for Saturday words
bigger than birdseed.

—WT

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Now Blindness asks, What’s in a photograph?
That bending scent–your garden, ripe with dew…
Your softball scar! My gawky dyke giraffe!
Some laughter echoes, tracing down our youth.

The card’mom ghosts that clung to kitchen air…
House renovations–rainbow gingerbread…
The peachy rinse that clouded your roped hair…
Accordion folds…your grin, the sheets, our bed…

Apartments old and brittle; photographs.
So clingy to the touch…Prints left behind…
Your book unshelved, you cradle it–new calf.
Between the slips you visit wilder times

Without me. I turn off light’s waterfall–
Your skin my album…my state…sweet recall.

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While I was writing the screenplay My Second Simone and developing the stage play Addah Belle’s Pocketwatch, I was consumed with the fires we all go through. I remembered the irony of this old poem I wrote about my mom. I say, “She would give a breast to be needed that way again,” and about a year after I wrote it, she had her left breast removed. I implored her to stop taking me so literally…

The Captive Fire

She tosses the yarn
and the kittens roll with it,
hitting the wall at the
propane heater,
its grill a cage for
the captive fire within.

She lets out a smile
but it swings back to her,
on a pendulum,
like a good smile,
contained in quiet play.

In the span of a sigh
the kittens will leave, cats,
echoes of the children
who fell, men and women,
from her breast.
She would give a breast
to be needed
that way again.

She snatches the yarn
and the kittens
settle for her shoelace
as she finishes the fringe
on her fourth grandson’s afghan.
Muted shades of
red, orange and yellow.

—WT

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Former Maryland poet laureate Lucille Clifton has died. This poem seems a perfect way to pause and raise my tea mug to her. I met her briefly in Columbia, Maryland and I was moved, not just by her poetry and narrative style, but by the use of Lucille’s dramatic training in her delivery of each poem. I picture her bringing this one up from the belly:

won’t you celebrate with me

won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my one hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

–Lucille Clifton

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This morning I’m spending time with my sheltie, Echo, who is departing this world today. Here is another poem of saying goodbye, inspired by a dear friend at Heathcote:

Charles’ mother is dying.
He has planed
800 miles.
Now he sweeps
Her kitchen.
Back home this is his
After-dinner chore.
He sweeps the hall,
2 seconds per stroke
By the mantle clock.
“Get the stairs while
You’re at it,”
His father says.
He sweeps the living room
And the porch.
He sweeps the lawn.

His mother is awake.
She asks of his plans.
He talks of job changes.
She takes out 3 papers
And crunches numbers
On the first.
Charles makes
Clarifying calculations
On the second.
She rests.

And Charles waltzes the broom.

He spreads out the pages–
Her handwriting, his;
The choreography of cursive.
And one more…
He takes the unused page,
With a pause for
All symphonies in the ether,
Unwritten,
And drags his dustpile
Onto the page
With his mother’s broom.

–Wren Tuatha

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